precursor of Bonny and Clyde, and all the imitators of couple perpetrators. starts in the circus and ends (in part) in the fairground. the long in-car sequence is remarkable
a more specific/extreme practice of the montage of attractions; the selections and the swaying are as always; more spectacular phenomena even associated with possible "soviet (visual)consumerism" -- the piling of rifles/cutleries/decors, the arrangement of hand/feet/faces, aren't they similar to the supermarket-scene described by Baudrillard?