Wes Anderson gets bolder with visual expressions. It’s a personal letter to all the things Anderson loves, such as cuisine, French youth culture in the 60s, and traditional print media. Even the tiniest details are infused with nostalgia. It reminds me of Quentin Tarantino somehow but came out with his unique style.
前两部影片当代感的剪辑一直是亮点这部背景放到一百年前欧洲精品无码成人久久久没有那么多当代素材可以发挥了仍然充满后现代娱乐性动作戏一如既往地漂亮Rasputin那段宫廷芭蕾融合着底层农民的狡猾打斗戏设计简直高光(比片尾高潮段好很多)一个极有争议性的Alternate history / Uchronie设定融入了更多保守帝国式的贵族意识形态二十世纪初背景下一位反战的英国公爵这太精英理想主义了;儿子的形象反而相较可信些还黑了大英与苏格兰之间难解的相爱相杀这娱乐至死的精神啊@MK2Odéons