In the aspect of storytelling and filmmaking, all the bad things are real, all the good things are fake. It still belongs to the one best kind of American contemporary film though, thanks the author and Ron Howard. I do hate how Hollywood has made the relink-the-drama-back-to-real-life a new cliche. It actually got old and sour.
后一半着实不错大部分演员都太棒了张鲁一陈瑾李小冉太贴角色了毫无瑕疵魏成意外地出彩get到了他与申玉菲难以言说的关系导演编剧的水平挺平庸的被演员带飞不知是不是因为拍摄时分了组审美一阵一阵地掉线喷奶经常冒出低级笑点和网大运镜还有莫名其妙的赛博朋克全息投影编剧的节奏也很迷惑前十集全是车轱辘话只会用对话推进剧情所以不得不给配角加戏全剧最烂是沙瑞山那个演员你可以演技差但不能演得恶心而且哪有对中科院教授指手画脚的科研民工换个人演我考虑给这剧打五星最满意的名场面是“BU YAO HUI DA”比我读原著时的想象还要好