一部属于这个世代、写满鲜明“当下”符号的电影——「叔父的大还是爸爸的大」之下人们对奇葩故事的追捧还有峰回路转剧情的痴迷坐定影院渴望不被教育而是取得一种单纯的情绪获得还有很多很多的巨物恐惧、尖叫以及粗口可以说它不够高级但不能说它不够聪明;选择用近乎闹剧式的改编方法来还原这桩听来有些难过的故事会有不敬的嫌疑但过程还是足够有趣的“P.S 《精品无码人妻一区二区三区18》之后一边做一边说国语对白属于wuli Elizabeth Banks的一次“绝地逢生”和一步“险棋”;"Don’t let anybody tell you you are ever past your prime. Never give up!"
马千里:106.92.176.104
Kelly Reichardt的过人之处在于她对情绪波动时刻的精准捕捉并且将主体与引起变化的客体(环境或事件的细节因素)安排在镜头中最平衡的位置
it's rare that we see Fincher shows any real emotions, wears his heart on a sleeve like this-albeit fleetingly, albeit he retreated back to his usual nonchalant self at the end-in his movies, this is fincher's Spartacus, undoubtably