1.you talking to me? you talking to me ! 及空气枪嘴里配音那段 2.灯红酒绿的街头 女人高潮久久久叫人喷水pov视角 失焦 高饱和度的调色 3.叠在一起的绿灯 失焦 涣散的镜头 over and over again there is no escape travis的孤独感 4.结局戏剧性错成英雄 5.社会寓意深远 越战后美国人的空虚迷茫 everyone is cold and distant rubbish all around
骑大鲨鱼zzi:139.205.138.230
Shoot down the baddies, strike a pose, get rich! The 2nd movie of the Dollars trilogy could be satirized in these terms, but how unfair would that be? You don’t watch Sergio Leone for deep philosophical insights, but for his filmmaking. For Ennio Morricone’s splendid scores too: he knows when to go silent, how to creep you out with dissonant strings, when to get synchronized and punctuate iconic gestures. He can charm with a chime, and soar into epicness or poise for a showdown. An interesting relationship between the two MC and internal conflicts among conspirators also make for a good story. But it's Maria Volonte as an eerie, brutal, cunning and even sensual villain who shines most.
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具备优秀悬疑剧该有的一切尺度、节奏、剧情张力和现实意义八集八个叙述视角最后交叠完成猫鼠游戏的完整回环在这场角力中加害人与被害人的关系频频错位女人高潮久久久叫人喷水没有人是清白的正如没有人是罪不可赦的每个人游移在法律、道德和人心的边界上一次次尝试救赎和原宥过去却过不去的自我所以聪慧冷静如Sonia只有控制好仇恨和愤怒与自己和解而不是尝试隐藏和埋葬过去才能主宰自己的人生有些暗示镜头稍显刻意和多余结尾虽仍反转但在意料之中险些拉垮至侮辱智商之列最耀眼的是女性群像的刻画西班牙人又一次以压倒性的方式诠释了什么是women‘s power